I’m sorry but being in architecture the stairs are my focal point. The design is Venetian, or Italian? Stairs do not a model make. Do not have Sophie standing on stairs. Sophie is sitting in some shots. But the rest do not compliment her figure. Suffice it to say, the compositions are shallow and in need of drama. Beautiful face I like the lip-gloss. Tones and moods are mixed but flattering. Shots ten and eleven are confining. In one, Sophie pulls her straps to the centre and has no reason to do so. In the other, she pulls her right buttock up to expose herself. She has either lost her keys or she needs help identifying her anatomy. Leastways, Sophie is demonstrative, and leaves little to the imagination. There is a sense of sophistication about Sophie that seems to limit an emotional response. The best one of the volume is number thirteen.
Robert Hayes
I’m sorry but being in architecture the stairs are my focal point. The design is Venetian, or Italian? Stairs do not a model make. Do not have Sophie standing on stairs. Sophie is sitting in some shots. But the rest do not compliment her figure. Suffice it to say, the compositions are shallow and in need of drama. Beautiful face I like the lip-gloss. Tones and moods are mixed but flattering. Shots ten and eleven are confining. In one, Sophie pulls her straps to the centre and has no reason to do so. In the other, she pulls her right buttock up to expose herself. She has either lost her keys or she needs help identifying her anatomy. Leastways, Sophie is demonstrative, and leaves little to the imagination. There is a sense of sophistication about Sophie that seems to limit an emotional response. The best one of the volume is number thirteen.